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Eyes

 

 
 

 

Ears

 

 
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Music

Store

Purchase Michelle Shocked’s music and other items

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Lyrics

See lyrics for Michelle’s songs

Discography

The entire Michelle Shocked discography

 

 

Mouth

 

 
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Upcoming Tour Dates

The Orlando Fringe 2017 – Joe’s NYC Bar Residency

Fri May 19 –  Orlando, FL Joe’s NYC Bar; immersive, interactive theater at St Matthew’s Tavern 1300 N Mills Ave

Sat May 20 – Orlando, FL Joe’s NYC Bar; immersive, interactive theater at St Matthew’s Tavern 1300 N Mills Ave

Sun May 21 – Orlando, FL Joe’s NYC Bar; immersive, interactive theater at St Matthew’s Tavern 1300 N Mills Ave

Thu May 25 – Orlando, FL Joe’s NYC Bar; immersive, interactive theater at St Matthew’s Tavern 1300 N Mills Ave

Fri May 26 – Orlando, FL Joe’s NYC Bar; immersive, interactive theater at St Matthew’s Tavern 1300 N Mills Ave

Sat May 27 – Orlando, FL Joe’s NYC Bar; immersive, interactive theater at St Matthew’s Tavern 1300 N Mills Ave

City Winery Summer Residency – The Mercury Trilogy 

 Short Sharp Shocked featuring legendary guitarist/producer Pete Anderson 

Mon June 26 New York, NY | Tues Jun 27  Chicago, IL

Thurs June 29  Nashville, TN | Fri June 30 Atlanta, GA

Captain Swing featuring legendary guitarist/producer Pete Anderson

Thu Jul 27 – Chicago, IL | Sat Jul 29 – Atlanta, GA

Sun Jul 30 – Nashville, TN   Mon July 31 – New York, NY

 Arkansas Traveler featuring legendary guitarist/producer Pete Anderson 

 Mon Aug 21 – New York, NY | Wed Aug 23 – Chicago, IL

Thu Aug 24 – Atlanta, GA | Fri Aug 25 – Nashville, TN

Date City Venue Country
Tour: City Winery Summer Residency – The Mercury Trilogy
06/26/17 New York, NY City Winery United States
Time: 8:00pm. Box office: (212) 608-0555 ext. 6023. Address: 155 VARICK STREET. Venue phone: (212) 608-0555 ext. 6023. Michelle Shocked performing “Short Sharp Shocked” in its entirety and more (Summer Residency) featuring the legendary guitarist Pete Anderson and his trio Buy Tickets
06/27/17 CHICAGO, IL City Winery (Chicago,IL) United States
Time: 8:00pm. Box office: (312) 733-9463. Address: 1200 W RANDOLPH ST. Venue phone: (312) 733-9463. Michelle Shocked Trilogy Residency – Short Sharped Shocked (1988) featuring the legendary guitarist Pete Anderson and his trio Buy Tickets
06/29/17 NASHVILLE, TN City Winery (Nashville, TN) United States
Time: 8:00pm. Admission: 20.00. Box office: 615.324.1010. Address: 609 LAFAYETTE STREET. Venue phone: 615.324.1010. Michelle Shocked Trilogy Lounge Residency featuring “Short Sharp Shocked” featuring the Legendary Guitarist Pete Anderson and his Trio in the Lounge Buy Tickets
06/30/17 ATLANTA, GA City Winery (Atlanta, GA) United States
Time: 8:00pm. Box office: 404-WINERY1. Address: 650 NORTH AVENUE, PONCE CITY MARKET. Michelle Shocked performing “Short Sharp Shocked” in its entirety and more (Summer Residency) featuring the legendary guitarist Pete Anderson and his trio Buy Tickets
07/27/17 New York, NY City Winery United States
Time: 8:00pm. Box office: (312) 733-9463. Address: 155 VARICK STREET. Venue phone: (212) 608-0555 ext. 6023. Michelle Shocked Trilogy Residency – Captain Swing (1989) featuring the legendary guitarist Pete Anderson and his trio Buy Tickets
07/29/17 ATLANTA, GA City Winery (Atlanta, GA) United States
Time: 8:00pm. Box office: 404-WINERY1. Address: 650 NORTH AVENUE, PONCE CITY MARKET. Michelle Shocked – Captain Swing (1989) Buy Tickets
07/30/17 NASHVILLE, TN City Winery (Nashville, TN) United States
Time: 8:00pm. Box office: (615.324.1010). Address: 609 LAFAYETTE STREET. Venue phone: 615.324.1010. Michelle Shocked Trilogy Lounge Residency featuring “Captain Swing” featuring the Legendary Guitarist Pete Anderson and his Trio in the Lounge Buy Tickets
07/31/17 New York, NY City Winery United States
Time: 8:00pm. Box office: (212) 608-0555 ext. 6023. Address: 155 VARICK STREET. Venue phone: (212) 608-0555 ext. 6023. Michelle Shocked performing Captain Swing in its entirety and more (Summer Residency) featuring the legendary guitarist Pete Anderson and his trio Buy Tickets
08/21/17 New York, NY City Winery United States
Time: 8:00pm. Box office: (212) 608-0555 ext. 6023. Address: 155 VARICK STREET. Venue phone: (212) 608-0555 ext. 6023. Michelle Shocked performing “Arkansas Traveler” in its entirety and more (Summer Residency) featuring the legendary guitarist Pete Anderson and his trio Buy Tickets
08/23/17 CHICAGO, IL City Winery (Chicago,IL) United States
Time: 8:00pm. Box office: 615.324.1010. Address: 1200 W RANDOLPH ST. Venue phone: (312) 733-9463. Michelle Shocked Trilogy Residency – Arkansas Traveler (1992) featuring the legendary guitarist Pete Anderson and his trio Buy Tickets
08/24/17 ATLANTA, GA City Winery (Atlanta, GA) United States
Time: 8:00pm. Box office: 404-WINERY1. Address: 650 NORTH AVENUE, PONCE CITY MARKET. Michelle Shocked Trilogy Residency – Arkansas Traveler (1992) featuring the legendary guitarist Pete Anderson and his trio Buy Tickets
08/25/17 NASHVILLE, TN City Winery (Nashville, TN) United States
Time: 8:00pm. Box office: 615.324.1010. Address: 609 LAFAYETTE STREET. Venue phone: 615.324.1010. Michelle Shocked Trilogy Residency featuring “Arkansas Traveler” featuring the Legendary Guitarist Pete Anderson and his Trio in the Lounge Buy Tickets

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The Edinburgh Fringe 2017 –  Truth Vs Reality 

Wed Aug 2 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Thu Aug 3 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Mon Aug 7 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Tue Aug 8 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Wed Aug 9 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Thu Aug 10 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Fri Aug 11 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Sat Aug 12 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Mon Aug 14 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Tue Aug 15 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Wed Aug 16 – Edinburgh Scotland The Boards at Edinburgh Playhouse

Michelle’s Tour History

 

 

Hat

 

 
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Neck O The Woods

Blues & Gospel & Country & Western Swing & Honkytonk & Folk from East Texas & Texarkana

 

 

Quotes





They gave me a shot of Thorazine, a real fascist drug. Your neck’s going like this [she flaps her head in an ugly untogether fashion] and if youdidn’t think you were crazy before, you’ll think you’re crazy then. It’s what you call a mental straitjacket – much more liberal than a straitjacket you can see.

As soon as I stopped sleeping around to survive, that’s when things got really drastic. That dividing line is real clear in my mind.

Music is not a commodity, it’s a resource.

I’ve achieved the impossible, you know? When David stood up to Goliath and had his sling in his hand and his punk-rock attitude, I’m sure he felt the way I feel now.

I’m in it for the long haul. I’m not looking for a fast rocket ride to the stars.

I’d say it’s been an interesting evening, wouldn’t you?

When I was explicitly political, which obviously people picked up on, I saw the danger of preaching to the converted.

My grandmother had a Miss Margaret’s School of Dance to teach tap and ballet to kids, but I never studied it. I was raised a Mormon and they’re dancing fools. It’s the only vice they have – dancing.

Some women can be sweet because they don’t know how else to move through the world. I’m sweet because I can afford to be.

At one time I was a nihilistic punk with a mohican and a ring in my nose. I think in the course of time I’ll find a middle ground, but I also carry that sense of responsibility. I’m in a position to defeat stereotypes.

Humans are the only animals that shit in their own nest.

What kind of religion is it that would encourage the parent to shelter the child from any outside influences and punish it by putting it out in a world you never had any way of learning about?

I accepted a change in my life. I didn’t choose that change and those are the best changes to make.

Record Companies know how vulnerable creativity is and that the slightest attack can make artists feel like abused children and they’ll retreat. I refuse to look at them as my parents. I just look at them as equals in a power struggle.

I think the word soul has gotta come into it. Music that’s created just for consuming lacks that soul, that swing, that feeling.

I started traveling on the premise that I could be poor anywhere, and that’s when the music caught up with me. I wasn’t chasing the music.

You know how they say prostitution is the oldest profession? Well, wouldn’t that lead you to assume that abortion is the…

There was no place whatsoever for a woman in the life and the world that Jack Kerouac described. And women were not going to be invited into it. So it’s sort of like crashing the party. I know I’m here unwelcome and I’m going to rewrite this history so I can be a part of it.

I think people have to choose between living with contradictions or painting themselves into a corner. I have a lot of contradictions.

I used to hitch-hike around Europe with only one cassette. On one side was ‘Doc and Merle Pickin’ the Blues,” and on the other was Pink Floyd. I called it ‘Doc Side of the Moon.’

I’ve gone through a spiritual journey through all of this. I was lost and now I’m found.

Everyone thinks young people are alienated from the system. But when you present them with a viable alternative, they will be the first to take it. And then watch out.

My degree is in Oral Interpretation of Literature, and that seems to me just what I’m doing now.

I can’t tell you where I’m going. . . but I can tell you where I come from.

Music is a lot like politics — too important to be left to professionals.

I’m taking Spanish classes – I’ve got an eye towards Mexico.

Feminism for me is about empowering women to take control of their own lives. It’s not supposed to create a closed community where like-minded people agree on all issues.

Squatting was the first opportunity I had to break out of the cycle of homelessness that, for young women especially, makes your self esteem deteriorate.

People used to say I had the starving artist look, but it was real. Not because I was anorexic or anything, but just because I didn’t have money for food. I did get ill but I had more of a mental illness than a physical illness.

I had nothing to do with that album. I had nothing to do with the material selected, with the artwork on the cover, the imagery. I couldn’t even control the way that I was being presented to the media, as yet another in a long line of American curiosities, like a souvenir from some guy’s trip to America .

I thought, this looks like a fucking butcher’s shop. I am not gonna take this sitting down. So they come to get me and I start screamin’, and some cop is just beggin’ me to kick him in the balls. So I do.

I’m a modern girl, but I come from a place, a history and a heritage. It’s a complicated one, and I’m not going to paint it like it’s simple.

Fact is that the original source for a lot of the bluegrass music me and my father used to listen to was minstrel coon songs.

I left the country the first time Reagan was elected, but nobody knew I had been here in the first place. So that was part of my thinking behind taking this opportunity, the access, the debut, the whole debutante aspect of working for a major label.

If I could actually survive in a foreign country with no money, taking care of myself, I couldn’t be crazy.

Very complicated truths are conveyed through very simple melodies.

People might say I’m difficult, but did you ever hear anyone describe a label as ‘difficult’? By nature, artists should challenge. When they call you difficult, it is a reflection of the imbalance of power.

The thing I fail to do is fully comprehend what’s given back to me by the audience. You would think you would be a performer partly so you could feel all the appreciation or adulation, but I haven’t quite managed that yet.

I was more daunted by the change of going from being an activist squatter to going to an independent label. That was the real change for me.

The main revolution I’d like to start is just getting people to play their own music.

I don’t feel alienated – I’m interested in seeing how things connect.

Folk has become narrowcasted as I think most music is today. It’s so entirely unnecessary. Let’s blur all the distinctions if possible; it’s more fun that way.

I want to scare the (expletive) out of the powers that be.

Yeah, I am a hick. I am naive, and I am sincere and it’s wonderfully unfashionable.

Now that I’ve got media access, I see that it’s one of the biggest diseases of our times.

Make your own music. It can be done.

The real goal I’m working toward is to do something to help integrate the African and European influences of American music. I think at one time inthe history of popular music they were coming together naturally. The record companies have created a false sense of segregation. It may seem impossible to tear down, but it’s something I’m looking forward to as a life’s work.

I write about cities the way some people write about lovers.

They were working overtime to tell journalists that I was no longer on the label. Meanwhile, I’d been fighting tooth and nail to try to get off the label.

Not only has this whole mess been beneficial, but it’s been a blessing. Before this, my ambitions were never so great that I would have taken on a multinational corporation and come out feeling so confident and strong.

My music has a lot of humor but I keep getting compared to humorless women.

The blues is about singing from the depths of your emotions.

They did that big, lumbering dinosaur thing, acting with impunity. Fortunately, it was over an artistic principle. I don’t think I could have sustained the fight if it was just over more money or more contractual rights.

Because I wrote songs for the love of it for so long I can say ‘I am a songwriter and whether I make money from it or not, I’m still going to write songs because its one of my favorite things to do.’ The fact that it becomes a recording is secondary, it’s not a motivation.

I knew I was gonna go to college because nobody in my family had, not on my mother’s side.

Sitting around playing music with people wasn’t as demanding as sitting around a dinner table trying to make conversation.

I’ve been through some dark times but I’ve experienced joy too. Now that joy can’t be suppressed.

Once you’re categorized, you can be dismissed.

I try to look at this music career thing as the means to an end. And really, at the end of it, I see myself on a sailboat, sailing off the edge of the world.

Whatever my image is, it’s my image and I have responsibility for it.

In New York , I hung out at CBGB’s. I’d go and see these hardcore matinees every Sunday and I’d think, ‘Yeah, this is like a fiddle festival.’

I was raped. That kind of burned me out on the whole romantic expatriate notion.

I told the executives at Mercury, ‘Hey, you’re dealing with an artist who can do gospel in very surprising ways.’ They asked me, ‘Are you sure you don’t want to make an acoustic album?’

I want to see feminism put back into the hands of women who can use from it.

Writing and singing does give me some kind of release from the demons of my past, it is a therapy of sorts, but to be honest, my marriage played a more important role in the acceptance of myself than performance has ever done.

Mainstream media would convince you that there’s commercial culture and that’s all – but this other music is still here.

I’m a perfectionist, which I think is a mistake.

I’ve got this cure for boredom and that’s to have no money. Every situation you’re in becomes an adventure…

I need to be able to decide the direction and the appropriateness of the project I choose to do. Otherwise, let the vice president of business affairs make the record.

As I look back over my life, before I had any real identity, I was a traveler. I grew up an Army brat, a runaway, an activist, and a musician. All my life I’ve been traveling.

I thought, this looks like a fucking butcher’s shop. I am not gonna take this sitting down. So they come to get me and I start screamin’, and some cop is just beggin’ me to kick him in the balls. So I do.”

I consider my music to be truly American music. I think American musicians are selling themselves short if they limit themselves to one genre.

We’re really the first American generation that won’t have the resources to live better than the generation that came before us. The boomers have not only skimmed the cream off the top of the milk, they’ve drunk up all the milk too.

I’m one of the few that comes from this vantage point: I never tried to get a record deal.

The two things that are unique in the American character – other than that they killed a lot of Indians – are irony and iconoclasm.

From my experience, I know where the change lies – in encouraging people to speak for themselves.

You can’t always find politics with your intellect, because you get tricked by propaganda or dogma. But you can feel the difference between a politic that swings, that is about involvement.

I walked along that slippery slope where if you fail through lack of faith, you sell your soul to the devil.

No one’s ever been able to define blues. To me, blues is three chords and something to say. There’s a real temptation to think that blues is singing about misery and sorrow. It’s singing about your experiences, and what I find in blues is the message of hope and inspiration, because you may be singing about your misery, but the fact that you’re singing, that’s the real message.

I’m a blues woman. I write mostly when I’m sad. I start crying and in the middle of crying I go ‘Mmm that was an interesting sound’.

There was no place whatsoever for a woman in the life and the world that Jack Kerouac described. And women were not going to be invited into it. So it’s sort of like crashing the party. I know I’m here unwelcome and I’m going to rewrite this history so I can be a part of it.

If there’s one thing I want you to know, It’s that you can do it too.

I’ll do an earth day benefit but I don’t intend to become a spokesperson for the rainforests.

I would emphasize the consistency, rather than the differences.

I describe myself as a knee-jerk anarchist, if that helps.

I didn’t plan a music career. People around me knew what was going to happen; I didn’t have a clue.

What I’d like is to have an integrated life again.

Authenticity is a real big deal in the music industry. I’ve been packaged in a certain way and while people might not know exactly what I am, they know I’m a darn authentic version of it

Punk is just as much a form of folk music as anything is!

For me the rallying cry has become: Subvert! Subvert! Use the media against itself; use the industry against itself.

I regard myself as a true American musician, and I play every style that is my heritage.

Ideals are not something I can control. It’s not logic that convinces me of something, it’s what my heart says. My heart has a way of involving me in things, which can only be good for the music.

The ability to live with contradiction is in some ways a sign of maturity.

I try to look at this music career thing as the means to an end. And really, at the end of it, I see myself on a sailboat, sailing off the edge of the world.

They sign a bunch of women, and they call it a movement. I don’t like the way women in music have been identified as women first and musicians second.

I’m too shy, really to be able to hang out with my heroes for too long.

Yo! It’s just three chords I’m playin’.

There’s no air that smells sweeter or more mysterious than East Texas air.