Join the conversation.  Saturday October 26 at 12pm PST @mshocked
 
Sometimes you notice something that catches your attention.  Your attention.  Other people keep walking, tuned in to their lunch plans or their iPod.  They part like a cold mountain stream around you: the rock in their way.
 
So it was when my eyes landed on this headline from the San Francisco Bay Guardian: Alt-folk singer Michelle Shocked goes on homophobic rant, Yoshi's says she won't be back.


My radar went off.  My heart sank.  I know who Michelle Shocked is – I’d seen her in concert back in the 90’s.  I loved her song “Anchorage,” and every so often I’d search out the video from “Come a Long Way.”  I knew that the juxtaposition of her name with the words “homophobic rant” was most likely just designed to get my attention. 
 
But I did what everyone else did.  I clicked.
 
Somebody sold another ad for I don’t know what… but I didn’t care.  I just wanted to know.
 
The article included a bootleg audio of the encore of her March 17, 2013 show at Yoshi’s in San Francisco.  I listened and heard her struggling within a framework she called Truth vs. Reality. I heard the beginnings of a dialogue, but soon the conversation went south – something about a prayer meeting and Prop 8 and whether or not she was saying that God hated faggots.  It wasn’t pretty.
 
I heard a female heckler becoming more and more vociferous during the 23-minute audio.  I found out later that she had actually shoved a woman who asked her to be quiet.  I heard audience members gather closer to Michelle as Yoshi’s management took her microphone away. 
 
Audience:  [referring to the heckler] Get her out of here –
  
Yoshi: Yeah, we’re…I’m sorry, ladies and gentlemen. Thank you very much for joining us tonight at Yoshi’s.  
  
Michelle: You’re pulling the plug? They’re giving me the hook, y’all.
 
 Audience: Hell no! No! Hell no!
 
 Michelle: I still got game.  I still got game.
  
Audience: You don’t need no amplifier -
  
Michelle: Shall we lose the mic?
  
Yoshi: Yeah…
  
Audience: Continue!
 
Michelle: Alright.  I will (scattered applause, stage sounds).  Let’s move closer.  When they take away the microphone, you wanna stay close…
 
And that’s exactly what I did.  Incensed, I drew closer.  I wanted to hear her side of the story, but due to the media spin, there was now a thick layer of digital dross to scrape away.  And unfortunately, she wasn’t answering any questions.  At least not yet.
 
She went on Nicole Sandler’s podcast via Twitter.
 
She covered her mouth with tape and played her guitar outside Moe’s Alley in Santa Cruz.
 
She sent out an “apology” written by her buddy Roger.
 
Now I was really listening.  Now, I was the rock in the stream.  The only reliable source became the primary source, and it was surprisingly simple to access.  I just tuned into Twitter every day from 8-11 PST. 
 
That’s right: Twitter. 
 
The medium WAS the message.
God did not hate faggots.
Jesus and Basquiat both died for your sins.
Marshall MacLuhan wrote the eulogy.
 
On Twitter, her words were truly confounding, but as the days and weeks went by, a layering process occurred.  While I was still struck by the shiny distraction of gay rights Vs. Christian dogma, Michelle treated these concerns as a joke, instead posting layer after layer of information about artists’ rights, internet piracy, and the insidious role of Big Data. 
 
She repeatedly drew attention to a seemingly innocuous YouTube video taken at her November 2012 concert in Tampa, FL as an illustration of the problem.  A ‘fan’ had recorded her chat with the audience at the beginning of the show and uploaded it on YouTube, saying, “This is all I got before she asked us not to record.”  The user refused to take the video down.  Michelle filed a DMCA notice, but YouTube refused to remove the unauthorized content.
 
Why such a big deal about a little video?
 
Because this video represents a process that is eating art alive. The artist creates. The content produced is distributed, bought, loved and – immediately uploaded onto Internet sites that act as ad farms. Many of those sites steal the content they provide.  Some servers, like Google, give lip-service to copyright, but end up defining the nature of art by making a judgment call regarding intellectual property and, subsequently, the ownership of that property.
 
According to Google, if you’re a performer who ‘talks’ during your show, your ‘talk’ is not art.  So the video remained up even though Michelle filed a DMCA notification.  Even though she owns all rights to all her own content. 
 
Let’s get back to that night at Yoshi’s.  Michelle set the stage for an explosion of sorts, or perhaps an implosion.  Trapped by the reality of piracy that prevents her from recording new material and angry with the fact that she could not have an authentic conversation about it with her audience without a bootlegger swiping the process away from her, she chose to give the audience a dose of Truth.
 
You steal my stuff, you get no value-added content.  I sing but I don’t talk.  This is Truth.  Face the music.  It’s like those times when the teacher made the whole class write lines because one kid was talking out of turn. 
 
If you know Michelle Shocked’s history, this shouldn’t surprise you.  She is  the Bootleg Poster Child. Her  debut,  the Texas Campfire Tapes, was released without her knowledge or permission in 1986. She’s also a punk activist, mouthy and unrepentant, scrappy and ready to take on a challenge at the drop of a hat.  She also can sing your baby to sleep or turn your tears into liquid prayers.  The audience perhaps  expected the latter, but they got the former.  Only this time, the finger was pointed at them.
 
The stage was set.  Three portraits created by David Willardson faced the audience: Frida Kahlo, Michelle Shocked, and Georgia O’Keefe.  On Michelle’s portrait were the words “@mshocked” and “Join the conversation.”  When Michelle came out, she turned each portrait around, and with the women’s faces turned away, the audience saw only the words Truth (on the left), VS. (in the middle) and Reality (on the right).  The performance had begun.
 
Michelle gave the audience a choice, Truth or Reality. They could vote by Twitter, no F2F interaction. They voted for Truth. In response, she sang all 10 songs from Short Sharp Shocked with little discussion. She did not explain what “Truth” meant, but she realized that by demonstration it would become evident that she was not delivering her trademark conversational performance style with the music.
 
Truth never changes. Within this frame, the show could then be repeated over and over with little variety and no complications with takedown notices for the inevitable bootlegs.
 
She was relieved that the audience chose Truth because if they had asked for Reality, she had planned to do the whole show from behind her portrait until they complained and then come out to explain that they were at the epicenter of the problem, that these Silicon Valley denizens had sold their collective creative souls for a few Bitcoins in exchange for an abuser-generated, content theft convenience economy.
 
After singing the 10 songs, she told the audience that she was done, but if they were still there when she returned, she would sing a few more songs.  It was during this encore that Reality hit the fan. 
 
Again, turning to Twitter as her platform, she asked what they wanted.
The tweet, “Reality could include some Gospel,” sent a now-very-authentic conversation in that direction.  Michelle was ready to talk about anything, but she knew that this portion of the show was not considered copyright protected.  Regardless, she allowed the conversation to turn to a topic that has been a red herring for many years: God Vs. Gays. 
 
She mentioned that she had been at a prayer meeting the night before and asked the audience to understand how scared people on that side of the fence were.  She corrected herself at one point to add that “they” included her, but didn’t clarify that their political opinions were not her own.
 
This is when the sound bites hit the fan:
 
Michelle: “…and from our vantage point, we’re gonna be, uh [facetiously], I think maybe Chinese water torture is gonna be the means, the method—[off-handed, flippantly] once Prop 8 gets instated, and once preachers are held at gunpoint, and forced to marry [in a character voice] the homosexuals. I’m pretty sure that will be the signal for Jesus to come on back.”
 
Audience: (laughter) Whaaat?
 
Michelle: You just said you wanted reality (laughs). If someone would be so gracious as to please tweet out, “Michelle Shocked just said, from stage, ‘God hates faggots’” (laughter). Would you do it now? (laughter)
 
Woman’s Voice: You can have your [muffled], Michelle! I think some people got it [undetermined]
  
Michelle: (adjusting strap) Just adjusting my bra strap. Nothing worth getting in a froth about.
 
Audience: What? 
 
Michelle: You’re confounded! Matt, you might need to get back up here.
  
Matt (@TheGuapo): There’s gonna be aloooot of talkin’ about that.
  
Michelle: I ain’t scared. I ain’t scared. This is not a tribunal. This is one woman’s opinion. And…it’s fun. It’s a lotta fun. I am so committed to loving each and every soul in this room tonight, that I could not come here and ignore you. I could not come here and pretend that I was above the conversation, and I couldn’t pretend that I was beneath it either. I had to join it. Thank you for that one handclap – I do that all the time.  Matter of fact, I was in church a couple of…you know it’s come to a bad point when the white girl is sitting in a Black church, I’m clappin’ (claps) and the man in front of me turns around and goes, ‘That’s irritatin’.’ (audience laughter) Hallelujah. I’d like to play you some songs, but –
 
Woman: I hope you get wise, Michelle, and realize that there’s nothing to fear. There’s nothing to fear. Everybody is deserving of your, whoever your God is, His love.   
 
Michelle: Can I respond to that, off the microphone?
 
Woman: You can respond to that ON the microphone.
 
Stepping away from the microphone, Michelle shouted, “I AM SICK OF CHRISTIANS, FILLED WITH HYPOCRISY, HIDING BEHIND THE SYMBOL OF A CROSS!”
 
There is a moment of quiet just after a demolition artist presses the plunger. If you’ve ever watched an implosion you know this; you wait, everyone waits, and you think for a minute that nothing is going to happen, and then from within the building you hear heavy explosions laden with brick and stone, you see dust starting to puff out of windows, walls begin to crumble, and if you’re the little jackrabbit who hutches in that condemned building, you feel the ground shake under your paws and you high-tail it out of there as fast as you can. 
 
If you know her music, now is the time to think “Jump Little Rabbit.”
   
But she didn’t jump. In an attempt to work the conversation around to content theft (and the audience’s role in the process via user-generated content), Michelle ignored the 3 or 4 hecklers and continued conversing with the audience.  She recited John 3:16 in Spanish.  She played another song.  The emotions wound down a bit, but there was no getting back to an explanation now.
 
Did she intend to blow up not only her fans’ complacency but her own celebrity status?  Did she expect such fallout?  Did she come to San Francisco with a message of hate? 
 
She said she loved everyone in the room.
 
But somehow these words were lost.
 
The show ended sadly, and there were tears of frustration on all sides.  Michelle drove home, relieved that she had begun the conversation, thanking God for giving her the courage to challenge their hypocrisy, heading back to LA with her sweetheart, David, not yet aware of how much fallout there would be.
 
Within 48 hours Michelle had lost all her bookings.
Within 48 hours, Yahoo! Entertainment had picked up the story and respun the headlines from the Bay Guardian.
Within 48 hours, Michelle Shocked, 25-year social justice activist and punk provocateur for the Occupy Movement, was now the pariah of the PC community.
 
Six months and one heartbreak later, the conversation that Michelle has been longing to have has begun, but many questions remain.  Why such a roundabout approach?  What does she hope will come of all this?  You decide. 
 
The badass says, “If I’d just told them they were fascists, they never would have believed me.” 
 
The poet says:
I truly believe, with all my heart, that when Truth wills out on all of
this that the terrible revelation will be thus:

"I freed a thousand slaves. I could have freed a thousand more if only
they knew they were slaves" - Harriet Tubman

In other words, this 'celebrity,' 'fame,' 'verified blue tic status,' etc. …is simply
a status update on how thickly the chains of our collective bondage have
been forged.

When the Great Deceiver is never again, and the bandages removed from our
blinded eyes, we will see that freedom was just a wade across the water to
Canaan Land; although desert wandering was all we ever imagined this life
could be...

Published on Alternet


“Please do not understand me too quickly.”
--Andre’ Gide


Which of the following ten denials are true and which are false? Richard Nixon: “I’m not a crook.” Vladimir Putin: “I’m not a thief.” Bill Clinton: “I did not have sexual relations with that woman.” Edward Snowden: “I’m not a traitor.” Paula Deen: “I’m not a racist.” George Zimmerman: “I’m not a murderer.” The New York Times (In a crossword puzzle, “Shylock” was a clue, and “Jew” was the answer): “We’re not anti-Semitic.” Lance Armstrong: “I’m not a doper.” Donald Trump: “I’m not a total asshole.” And Michelle Shocked: “I’m not a homophobe.”
 
In March, singer-songwriter Michelle had spouted between musical numbers what appeared to be a fanatical Christian anti-gay rant at Yoshi’s in San Francisco:
 
“But I was in a prayer meeting yesterday, and you gotta appreciate how scared, how scared, folks on that side of the equation are. I mean, from their vantage point -- and I really shouldn’t say ‘their,’ because it’s mine, too -- we are nearly at the end of time, and from our vantage point, we’re gonna be, uh [facetiously], I think maybe Chinese water torture is gonna be the means, the method -- [off-handed, flippantly] once Prop 8 gets instated, and once preachers are held at gunpoint, and forced to marry [in a character voice] the homosexuals. I’m pretty sure that will be the signal for Jesus to come on back.”
 
Audience: [laughter] “Whaaat?”
 
“You just said you wanted reality [laughs]. If someone would be so gracious as to please tweet out, ‘Michelle Shocked just said, from stage, “God hates faggots [laughter]. Would you do it now?’” [laughter]
 
Disappointed fans walked out. Yoshi’s gay manager shut off her microphone, insisted that she leave the stage, and banned her from performing there for life. At least fourteen gigs at other venues were annulled, and her career swirled its way down the drain. So she decided to issue this statement:
 
"I believe in a God who loves everyone, and my faith tells me to do my best to also love everyone. Everyone: gay or straight, stridently gay, self-righteously faithful; left or right, far left, far right; good, bad, or indifferent. That’s the law: everyone. I may disagree with someone’s most fervently held belief, but I will not hate them. And in this controversy, that means speaking for Christians with opinions I in no way share about homosexuality. Will I endorse them? Never. Will I disavow them? Never. I stand accused of forsaking the LGBT community for a Christianity which is -- hear me now -- anathema to my understanding of faith. I will no doubt take future flack for saying so. I’m accused of believing that “God hates fags” and that the repeal of Prop 8 will usher in the End Times. Well, if I caused such an absurdity, I am damn sorry.
 
"To be clear: I am not now, nor have I ever been, a member of any so-called faith, preaching intolerance of anyone. Again, anyone: straight or gay, believers or not: that’s the law. That means upholding my punk rock values in the most evangelical enclaves and, in this case, speaking up for the most fearful of fundamentalists in, well, a San Francisco music hall full of Michelle Shocked fans. As an artist in this time of unbearable culture wars, I understand: this means trouble, and this is neither the first nor last time trouble has come my way. And that’s fine by me. I know the fear many in the evangelical community feel about homosexual marriage, as I understand the fear many in the gay community feel toward the self-appointed faithful. I have and will continue speaking to both. Everything else – Facebook, Twitter, whatever – is commentary."
 
At midnight on Friday, June 28th -- the day after the Supreme Court ruling on same-sex marriage, and the beginning of the San Francisco Gay Pride weekend -- Michelle was a guest of Daniel Flessas, host of a weekly radio program, The Outside World, on listener-sponsored KBOO in Portland, Oregon. The call letters of that station were borrowed from a marijuana strain known as “Berkeley Boo.”
 
Having also been invited to participate in the dialogue, I asked Michelle, “Why did you convert to born-again Christianity?”
 
“I was making an album in 1991 called Arkansas Traveler that had its roots in blackface minstrelsy,” she replied. “My fiancee was a journalist, deeply researched on the history of the genre. He suggested we attend a local African-American church to explore the contemporary expressions of the music that had inspired the genre, and it was an easy justification.
 
“Gospel music, what's not to love? Soulful, passionate pyrotechnics, a choir. But I went one Sunday too often and next thing I knew, my feet were making the altar call. The rest of me decided to join them. I went for the singing but stayed for the song. Originally, I recall thinking, ‘You know, this music would be so good if they'd just cut out all that Jesus crap.’”
 
And then Michelle had a question for me:
 
“My experience has been that people don’t wanna let the truth get in the way of a good story. My question to Paul is, having been the instigator [laughs] of more controversies than I will manage in my lifetime, the absurdity of this situation often causes me to [laughs] ask myself -- I’m not exaggerating -- ‘What would Paul do?’ Surely, there has to be some hilarity that I have overlooked, ‘cause I have tried everything I can come up with to make people laugh and to lighten the situation up. What have I forgotten?”
 
My response: “I think what you forgot was that audiences don’t always know the references, and so when you said, ‘God hates faggots,’ they might not have known that the reactionary Reverend Fred Phelps had said ‘God hates fags’ and meant it, and therefore they assumed that you were saying it as representing your belief when you were really, as I understood it, parodying the hatred that Phelps exuded. I mean risk-taking is risky business.”
 
Daniel: “But you didn’t always explain everything to everyone, did you, Paul?”
 
“No. When I published satire, I wouldn’t label it as satire any more than Jonathan Swift’s Modest Proposal. He didn’t say, ‘I’m only kidding, folks, I really don’t mean that Irish babies should be eaten by the British in order to simultaneously solve the overpopulation and starvation problems.’ And I didn’t want to deprive readers of the pleasure of deriving for themselves whether something was literally true or a metaphorical extension of the truth.
 
“There was a singer named Tonio K. I was invited at the last minute to open for him at the Roxy Theater in L.A. -- Harry Shearer was supposed to do it, but he couldn’t -- and I had never heard of Tonio K. This was at a time when there were all those TV evangelicals --  Oral Roberts and Jimmy Swaggart and Jim Bakker -- and they were involved in one sex scandal after another, and so I did some material about that. But the audience didn’t laugh, and I couldn’t figure out why.
 
“Only later, a review in the L.A. Times concluded that I was obviously not aware that Tonio K. was a born-again Christian singer, and his audience was filled with born-again Christian fans. So I felt relieved, because it was funny material, but humor is totally subjective, and I think that’s what Michelle got caught in. The gay community has been so mistreated by people who actually do express hostility toward them, it suddenly landed Michelle in that category.”
 
Michelle: “Paul, can I hold your feet to the fire? As the original Zen Bastard, you did not provoke for the sake of provoking, you would never ridicule an audience simply to express some sense of smug superiority. There was always a point and a purpose to the endeavor, and so I would like to submit to you that my efforts were to confound an audience that has grown so self-righteous that they needed a little prick, they needed a little poking. What was that Abbie Hoffman quote? ‘Sacred cows make the tastiest hamburger.’ I gave them a little taste of the medicine, and they did not like it, not one bit, no sir.
 
“I am reflecting back that your sensibility was not that of a provocateur, but always of one that would inspire people to think, and my experience with this is that they had grown so entrenched in their dogma that, rather than think, rather than rush to curiosity, I was subjected to a rush to judgment, and I cannot think of anyone that I would like to give more tribute to inspiring [laughs] my instigation than you. I’m blaming you for all this, Paul [laughs].”
 
“Yeah, right -- I’m the little prick that you referred to.”
 
Michelle confirmed that she would be at the Gay Pride celebration on Sunday morning, “but I will be part of the contingent that is making a statement that San Francisco is proud of Bradley Manning for pursuing his duties as a whistle-blower in revealing secrets that the government would rather not listen to. And we’re basically just all gonna raise points that San Francisco Pride leadership rejected the election by all of the former SF Pride grand marshals to name Bradley Manning as this year’s grand marshal in favor of allowing their sponsors, their military and their corporate sponsors, to dictate the conscience of a community they claim to speak on behalf of, and I would love to be in that great number, marching, proud of a gay soldier who has the interest of everyone in this country above the interests of a few in this country.”
 
On Monday, I emailed her and asked how that event went.
 
“The Bradley Manning contingent in the SF Pride parade was a feisty attempt to put context to the Yoshi's fracas,” she replied. “My story, the one I'm sticking to, is that it was a laugh riot, a second line of soul in the middle of a privilege parade. The truth is that I saw and heard countless reasons why any spirit of passionate resistance that once existed has left the disco long ago. It now resembles a Bourbon Street Mardi Gras without King Zulu. Show us yer tits! It's the Rose Parade, and the corporate sponsors write the script. Even the Manning contingent played to the half empty grandstand like dutiful dissidents. The Star-Spangled Burqa was a hit, waiting for the photographic/video evidence to appear. So far so censored. I've got this nifty little shot occupying Google at the parade.”
 
And so, returning back to that night at Yoshi’s, was Michelle homophobic? Please pass the analogy. In 1952, there was a French-and-Italian film, Seven Deadly Sins, consisting of seven vignettes, one for each sin – greed, lust, avarice, pride, Dopey, Sneezy, Bashful – and at the end of the seventh sin, the narrator told us that we were going to see the eighth sin.
 
On the screen were all those images that we had been conditioned to associate with the intimations of sin – sailors, hookers, an opium den – and then the narrator explained that the eighth sin was the desire to see sin. The audience groaned with a spontaneity that served only to underscore the narrator's point. Sometimes the ultimate target of satire should be its own audience.
 
 
 
 

A lot of folks claim to have seen evidence of my fragile mental state on the Piers Morgan Show. I won’t deny that (why bother?), but it was a very short amount of hair-raising time in which to make some very important points, and at least indicate some of the back-story for those who didn’t attend the show at Yoshi’s. So for anyone still interested, I provide a full transcript of the interview, with the most salient points highlighted:
 
Once again, thanks for listening, sorry for causing any offence or anxiety, and see y’all soon….
 
Video:
 
Transcript:
 
MORGAN: Michelle Shocked is the indie folksinger who's made a habit of shocking her fans recently. Clubs around the country have canceled her concerts ever since she made some very controversial remarks about homosexuality and same-sex marriage. She's here now to tell her side of the story for the first time. Joining me exclusively in her first national interview since the incident is Michelle Shocked.

Welcome to you.

MICHELLE SHOCKED: Thanks, Piers.

MORGAN: I need to explain what happened. We need to just play a bit of audio from this gig you did in San Francisco on March 17th. And this was an exchange you had with the audience. Went on for quite some time, but the one that got all the attention was this.

(BEGIN VIDEO CLIP)

SHOCKED: I was in a prayer meeting yesterday, and you've got to appreciate how scared, how scared folks on that side of the equation are. I mean, from their vantage point - and I really shouldn't say their, because it's mine, too - we are at nearly the end of time. And from our vantage point, we are going to be -- I think maybe Chinese water torture is going to be the means, the method once Prop 8 gets instated and once preachers are held at gun point and forced to marry the ho-mo-sexuals, I'm pretty sure that that will be the signal for Jesus to come on back. You said you wanted reality.

(END VIDEO CLIP)

MORGAN: Now I’ve listened to about 20 minutes of what went on on the Internet. And what was clear, was although some of the audience were laughing then, that mood changed, and they became pretty angry with what you were saying, as you elaborated. You went on to say “If any of you want to go out and tweet that Michelle Shocked said God hates” - and you used a derogatory word for gays – “please do so.” And the mystifying question for many of your fans - and indeed everyone who’s read about this story - is, Why would you say these things?

SHOCKED: I admit I made a mistake, Piers. If I had the chance to go back and do it again, I don't think I would have taken the audience up on their choice. I had presented an entire performance, and I'd framed it as “Truth.” And then I came back out for an encore, and they requested “Reality.” And what has consequently taken place ever since then is my manifestation of how little I think of reality. I know that it's stock-in-trade for a lot of the media to just present things like ‘That's how it really is.’ But I don't think the audience was ready for the consequences of that, and I surely have not been happy with it.

MORGAN: Right. I mean, it's been devastating to you and your career. You've had concerts cancelled all over the place. And I would imagine a very turbulent time for you. What many of your fans are saying is they you don't really understand why you would want to put any kind of comments like that in the public domain, not least of which, because you once came out as bisexual yourself. So they've no comprehension that you would be remotely homophobic. Have you become homophobic?

SHOCKED: Over I'd say the last 10-12 years, I've enjoyed such a degree of independence and freedom, I can basically do whatever I want. I don't have minders or managers telling me what to do. And I have adopted a course that's not the orthodox one where, I say that there's only two things you don't discuss in polite company. One is politics, and the other is religion. And I make a point of talking about both. And the clip that we just listened to - it sounds quite serious-minded - but it was at the start as I said of the encore and --

MORGAN: But you lost the audience. That's why I said I listened to the whole thing.

SHOCKED: Not then but later on, yes.

MORGAN: And most of them began to walk out and were very unhappy about it and wanted their money back and so on. But I repeat the question. I mean, are you basically, when you said what you said, it sounds on the face of it to be pretty obvious and clear homophobia. Are you homophobic?

SHOCKED: Yes, on the -- on the surface it sounds really bad. It's not really a point worth making, but the show is supposed to be live, not recorded. And --

MORGAN: What difference would that make?

SHOCKED: To me it's an important difference, but I don't think we have time to go into it right now. When you read it in the transcript, which I'd gone back and created, I can do a couple of things to show you and highlight --

(CROSSTALK)

MORGAN: Wait a minute. Let's try and keep it simple for the audience.

SHOCKED: All right.

MORGAN: Because, you were born a Mormon, you converted to -- to become a born again Christian. And many Christians have views about gays, and about gay marriage and other issues. Are you somebody that objects to a gay lifestyle, and to gay marriage?

SHOCKED: If the question is asked to make things simple for the audience - and I believe you that it is - I'd like to make it even simpler. I am, for the last 10 years, so deeply in love with a man, that the idea of living my life without him is impossible.

MORGAN: Right.

SHOCKED: I know how much I love him, and knowing that passion that I have for him, would I ever want to deny that to anyone else? Absolutely not.

MORGAN: So you're not homophobic?

SHOCKED: The truth, I don't think, lies in the simplicity. I think it's in the nuance. And that's been completely lost in this unfortunate -
 
MORGAN: What were you -- I mean, let me play along with what you are saying which is you didn't mean it to come over the way it did, even though it seems pretty clear to me -

SHOCKED: Yes. Yes.

MORGAN: what I was listening to. Where was the ambiguity? What was the point you were trying to make?

SHOCKED: Like, I think, knowing your dedication to focusing on gun control issues, for example, right? And the line is, “Once preachers are held at gunpoint.” What could I have possibly meant by the idea -- and Prop 8 I said is instated, well, I'm sorry, but Prop 8 already stands. I didn't know what I was talking about. Clearly I was --

MORGAN: But you're not a stupid person. Why didn't you know what you were talking about?

SHOCKED: Because the nature of spontaneous improvisation, I had done a complete show as truth, and the audience requested reality. And so I was giving them the whole macabre distortion of truth that I consider reality to be. And that's where all these confusions and misunderstandings --

MORGAN: Are you -- with all the members of the gay community who are outraged by what you said, are you -- are you sorry?

SHOCKED: Yes, I am very much so, because what's being questioned is my support for that community. And they have been a predominant component of my audience over the years. It may seem very calculated and simple on my part that I would disavow them at this stage, but I need to tell them sincerely and directly: In no way do I disavow the LGBT community, in the same way that I don't disavow my faith community.

MORGAN: And do you have any problem with gay marriage?

SHOCKED: No, I don't.

MORGAN: Do you support it?

SHOCKED: I do.

MORGAN: So you support full gay rights?

SHOCKED: Absolutely.

MORGAN: Well, Michelle, thank you for clarifying it. Looks like you're sorry you said what you said. And people, your fans I'm sure will be relieved to hear that.

SHOCKED: If I may, the point is worth making that there is an empathy that's unique to what I hold my position. I was identified as a lesbian, as bisexual, early in my career. But the way that came about was such that I held my peace. I didn't, I didn't try to defend -- because I didn't feel like it was anything to defend: I'm not “a gay” -- But to say that the manager that first presented me to the world…made a pass at me. And when I spurned his approach, that was all the -- that was all the encouragement that he needed to then market me as a lesbian and then --

MORGAN: Well, he made, he obviously – if that is it true, he made a mistake then, and you made a mistake on the 17th of March in San Francisco. I think we probably agree on that. And I wish you well in making a recovery.

SHOCKED: Now you offered that my efforts, my current efforts, aren't going to be swept under the carpet. So I'd like to take you up on that offer, if you don't mind.

MORGAN: What do you mean?

SHOCKED: I mean that I have been diligently working for the last five years on a project that is -- if I have not managed to convince you that I have very much at stake in putting this question to rest: is Michelle Shocked homophobic? Does Michelle Shocked support the gay community? --

MORGAN: Well, you've answered those questions.

SHOCKED: To your satisfaction?

MORGAN: Well, you've answered them very clearly, and people can make their own minds up if you mean it. That's not for me to say that.

SHOCKED: Well, as I say, in the court of public opinion, putting a poet --

MORGAN: OK.

SHOCKED: -- on a tribunal like this, I just want to say --

MORGAN: Michelle, I put the questions to you. You've answered them emphatically, and I will take you at your word. Thank you for joining me.

SHOCKED: “The apple tree has got some strange fruit / that even Adam wouldn't try / but human nature is living proof that – ”

MORGAN: The world is full of strange trees and strange truth.

SHOCKED: “Beauty is in the beholder's eye.”

MORGAN: I agree with you. Michelle Shocked, nice to see you.

As certain of my remarks have, I believe, been taken out of context, I am providing, to anyone still interested, as complete a transcript as I can of what actually happened during my encore at Yoshi’s, based on the bootleg first posted by the San Francisco Bay Guardian on March 18. Nothing has been edited out, and any further corrections are welcome. The only liberty I’ve taken is to highlight those words, in bold, pointing to intentions which were misinterpreted at the time, and have since remained obscure.
 
 
Of course the fault for that is completely my own, and I can not and do not blame anyone for defending the gay community.
 
 
*****
Stage Set
Three portraits: Georgia, Michelle, Frida (appx 6’ x 4’ each)
Stage Left - Georgia’s image is framed backwards, her portrait is visible behind the frame. Invisible to the audience, the word TRUTH is on the front of the frame
 
 
Center Stage - Michelle’s portrait; the image is visible and the frame is invisible. Above her face is a word balloon ‘@mshocked’ and below her face is a word balloon ‘join the discussion.’ Invisible to the audience, the word VS. on the back of her image. To the right of her portrait, a stool is placed.
 
 
Stage Right - Frida’s image is framed backwards, her portrait is visible behind the frame. Invisible to the audience, the word REALITY is on the front of the frame.
 
 
Foreshadow
Onstage, Michelle confesses she is terrified. Audience is encouraging. Michelle inquires if she is the only one there who believes an Invisible Man is in the room. A timid woman in the back raises her hand and Michelle invites her onstage. After a few gentle urgings to her and further solicitation to the audience, @TheGuapo volunteers. He steps onstage to operate her Twitter handle, @mshocked from her iPhone as her ‘avatar.’ After revealing the words “TRUTH”  “VS.” “REALITY” by turning the portraits opposite, Michelle offers the choice to her audience. Per @TheGuapo, the audience chooses TRUTH. Thus, Michelle plays 10 songs sequentially from Short Sharp Shocked with little comment. She bows and leaves the stage. Audience applauds.
 
 
Encore – (content is from the bootleg recording)
Yoshi: Ladies and gentlemen, please welcome Michelle Shocked.
 
 
Michelle: Hey, y’all wanna hear what some of y’all just said? Alright. Let’s see, where do I start? (reading tweets) Umm..
 
Tweet: “Awesome” (laughter).
 
Michelle: I don’t know where it’s starting, so I’m just gonna start here.
 
Tweet: “Oh, my other big favorite, along with Jump Jim Crow”…
 
Michelle: Where are you, Elise?
 
Tweet: “That’s OK. I’m Anchored Down in Anchorage, even with commercial breaks.” (laughter)
 
Tweet: “Thanks for the shout-out for ‘Strike Debt’ #lifeordebt.”
 
Michelle: That’s from Lisa, and Lisa was the only person who joined the conversation before the show. Remember where it said….(indicating the word balloons, no longer visible, on the portrait)
 
Audience: (laughter) Yeahhh. Now we remember. Right there right there right there right there…. 
 
Audience: (in a German accent) Hello. It’s so good to see you again.
 
Michelle: (responding to the tweet sent to Lisa prior to the show) I said ‘the Calvary has finally arrived,’ and I think I meant ‘cavalry,’ but I’m not sure I did. (laughter)
 
Tweet: “Every time you sing Anchorage, I think of my six-year-old skateboard punk rocker Stella.” (audience members hoot)
 
Tweet: “Hey ‘Chelle, how’s that jack rabbit running?”
 
Michelle: I think that’s a request for a song that I have called “Jump Little Rabbit” ‘cause Easter’s comin’, y’know?
 
Tweet: “Some things only get better with age. That song was clearly one of them.”
 
Michelle: Thank you, Christine!
 
Tweet: “Reality” could include some Gospel.” (audience laughter)
 
Michelle: Any other lovers of Invisible Man in here? This is sincere - the two things that I’m passionate about, y’all…I love me some Jesus, and I love liberation. And I did not know how I was gonna come to San Francisco, and…authentically represent the….(leaves thought hanging, reads further)
 
Tweet: “We came to see you. Don’t need no other guitar-player no how. Great first set.”
 
Tweet: “Rocked my baby to sleep to ‘Anchorage’ 13 years ago,”
 
 
Michelle: (acknowledging the tweet is from the wife of the avatar, @TheGuapo, who is now seated in the audience) ..and thank you for the loan thereof, of your husband. Truth be damned, let’s go with reality, just for a while. And I know I talk a lot, and apparently at some point it’s gonna either put me in a coma, or cause me to have cancer and a premature death, but I really can’t help it now. I’ve dedicated 25 years to becoming more and more authentic, and I’m told that has value in the current culture but I’m not 100% convinced (laughter). But there’s no turning back. I’ve been practicing for quite a while.
 
 
But I’ve got some pretty wonderful role models to draw on. Georgia O’Keefe (applause). For those of you who don’t believe there’s an Invisible Guy here in the room with us now, you may be inspired by her example. There was this one mountain she painted over and over and over again. It was very near her house in Santa Fe, the mountain was called Pedernal. And finally someone asked her, “Why, Georgia?” - I don’t think she had Twitter, but somebody got to her -  “Why do you paint this mountain so many times?” And her answer was quite confounding for someone who confessed to NOT believe in God. She said, “Because God told me, if I painted it enough, He would give it to me.” I’m just telling you the facts (laughter). And so, sure enough, when Georgia died – anybody want to hazard a guess as to where they scattered her ashes? Unh-hunh. So, it’s not too late. You can jump into this Jesus game anytime you want.
 
 
But I was in a prayer meeting yesterday, and you gotta appreciate how scared, how scared, folks on that side of the equation are. I mean, from their vantage point – and I really shouldn’t say ‘their,’ because it’s mine, too – we are nearly at the end of time, and from our vantage point, we’re gonna be, uh – I think maybe Chinese water torture is gonna be the means, the method – once Prop 8 gets instated, and once preachers are held at gunpoint, and forced to marry the homosexuals. I’m pretty sure that will be the signal for Jesus to come on back.
 
 
Audience: (laughter) Whaaat?
 
 
Michelle: You just said you wanted reaiity (laughs). If someone would be so gracious as to please tweet out, “Michelle Shocked just said, from stage, ‘God hates faggots’” (laughter). Would you do it now? (laughter)
 
 
Audience: You can have your [muffled], Michelle! I think some people got it [undetermined]
 
 
Michelle: (adjusting strap) Just adjusting my bra strap. Nothing worth getting in a froth about.
 
 
Audience: What?
 
 
Michelle: You’re confounded! Matt, you might need to get back up here.
 
 
Matt (@TheGuapo): There’s gonna be aloooot of talkin’ about that.
 
 
Michelle: I ain’t scared. I ain’t scared. This is not a tribunal. This is one woman’s opinion. And…it’s fun. It’s a lotta fun. I am so committed to loving each and every soul in this room tonight, that I could not come here and ignore you. I could not come here and pretend that I was above the conversation, and I couldn’t pretend that I was beneath it either. I had to join it. Thank you for that one handclap – I do that all the time.  Matter of fact, I was in church a couple of…you know it’s come to a bad point when the white girl is sitting in a Black church, I’m clappin’ (claps) and the man in front of me turns around and goes, ‘That’s irritatin’.’ (audience laughter) Hallelujah. I’d like to play you some songs, but –
 
 
Woman: I hope you get wise, Michelle, and realize that there’s nothing to fear. There’s nothing to fear. Everybody is deserving of your, whoever your God is, His love.   
 
 
Michelle: Can I respond to that, off the microphone?
 
 
Woman: You can respond to that ON the microphone.
 
 
Michelle: (angry, shouting) I AM SICK OF CHRISTIANS, FILLED WITH HYPOCRISY, HIDING BEHIND THE SYMBOL OF A CROSS!
 
 
Woman: C’mon, show it. Show your true self. C’mon!
 
 
Audience: Could you clarify? C’mon Michelle! Say what you mean!  What are you so afraid of?
 
 
Michelle: I believe that the word of God is just what it says it is: the truth.
 
 
Audience: (getting restive) Oh dear God. The who? Let’s not forget, in the Bible….Frightening, frightening, etc.
 
 
Michelle: I’m just saying one thing. Just one thing. Just one thing. Porque de tal manera amo Dios al mundo, que ha dado a su Hijo unigenito, para que todo aquel que en El cree, no se pierda, mas tenga vida eterna.
 
 
Audience: We don’t speak Spanish!
 
 
Michelle: You don’t speak Spanish?
 
 
Audience: Oh no, we do! I don’t! Say it in English!
 
 
Michelle: (starts to play guitar, then singing)
Leaving town while I still can
Going down to the Yucatan
To become a wanted man
It happens that fast
Saying my goodbyes,
Now, mama, don’t you go and cry
I gotta try to live without a past
 
 
Shined my shoes, dressed the soles, only cost me five pesos
At this rate the money goes twice as far
Atencion, Señor, mas cerveza por favor
A rolling stone gathers his thoughts in a Mexican bar
 
 
(spoken, with guitar accompaniment)
I was heading down to Guatemala, during a very brief ceasefire in the hostilities. But I’d made the mistake of booking my flight on AeroMexico
 
 
Audience: Are you being homophobic, or….[muffled] That’s the most homophobic thing I ever heard…[muffled]…Yeah, but she’s in my town [muffled]….
 
 
Michelle: AeroMexico is owned by the Mexican government, so they arrange things so you can’t fly through Mexico without stopping for a night in Cancun  - which, I don’t know
 
 
Man near microphone, to waitress: Excuse me
 
 
Waitress: Are you ready for the check?
 
 
Man: Just one second. Where is the management of this place, to get this moron out of this place?
 
 
Michelle: Cancun is some people’s idea of paradise, a lot of fat, happy gringos saying, ‘Pépé, bring me another cerveza.’ So when the plane landed at the airport in Cancun, I told the taxi-driver, ‘Just take me into town, I’m gonna stay at a pension, avoid those fancy resorts.’ And to my surprise, another gringo asked, could he get a ride. I said sure. We got to the hotel, checked into our separate rooms – this story’s not going where you think it is – but about five minutes later, he comes knockin’ on my door, wanting to know, do I got change for a hundred dollar bill? I said “Man, this here is Mexico, they don’t use dollars here, they use pesos. But this was back when I was still drinking, so I said, “You wanna come around the corner with me to a bar for a beer? Maybe they’ll have change for your $100 there.” So we did. And they did.
 
 
(audience restive)
 
 
And after a beer, maybe two, OK three, he started explaining to me that he was supposed to be in Memphis the next morning, for a court hearing. This man was on the lam. But that’s alright, that’s alright, because he had bought a book. And that book was called “How to be a Fugitive.” Of course you realize, he’d just broken the first rule of the book: if you’re gonna be a fugitive, don’t tell nobody. After another beer, he told me how he was gonna get by in Mexico. He was gonna continue doin’ what he’d been doin’, which was makin’ guitars. Right there in his bag, he had a sample of his wares – did I wanna see ‘em? “Sure,” I told him. “Show me what you got.” And he pulled out the neck, the headstock of the guitar that he’d been working on. And right there on the end, like they all do, was the name of the luthier: Newman. New…Man. 
 
 
I ain’t gonna pass that up. So I wished him well – especially as he’d just broken the second rule of the book: if you’re gonna be a fugitive, don’t tell anybody your real name. I admit all I really know, is the little that he’d told me, but between you and me
 
 
(singing)
It’s best between the lines
Although I swear I’d heard him say there’d been a fiancée
Convicted of his love, but not his crime
Listen, y’all –
We are condemned by our own hand
A fugitive will understand
So forget everything you can  
What’s in a name?
 
 
But sure as the word made flesh the soul will confess
And this cup passes before us all the same
 
 
Oh, don’t bother to applaud – it’s not needed (faint applause continues). No, no, seriously. I don’t think I can handle all the adulation right now.
 
 
Woman: You don’t deserve it. Everyone should get up and leave! That was rotten! That was a horrible thing to say, if that’s what you believe.
 
 
Audience: Somebody over there believes she means something different. Maybe you’ve been confusing -
 
 
Michelle: I got a question for y’all. It’s a sincere question. How are you enjoying reality so far?
 
 
Audience: Not your reality
 
 
Michelle: Sucks pretty much, doesn’t it?
 
 
Audience: Oh yeah – (other woman continues yelling)
 
 
Michelle: You can’t have both.
 
 
Audience: Don’t come to San Francisco saying that shit.
 
 
Michelle: Don’t come to San Francisco saying that shit? Let’s take that note. I just got a tweet, they said, “Don’t come to San Francisco saying that shit.” Where do I go to say that shit?
 
 
Audience: Wow! Arkansas! That’s so weird, you’re so weird…
 
 
Michelle: It IS weird. (laughs) Yeah, it is weird…
 
 
Audience member: Your reality is tweets? Your reality is tweets?
 
 
Michelle: This is not my choice –
 
 
Audience: According to this show, we spent like 20% of this show on tweets. 80% was a show, and 40% was homophobia
 
 
Audience: Get her out of here –
 
 
Yoshi: Yeah, we’re…I’m sorry, ladies and gentlemen. Thank you very much for joining us tonight at Yoshi’s.  
 
 
Michelle: You’re pulling the plug? They’re giving me the hook, y’all.
 
 
Audience: Hell no! No! Hell no!
 
 
Michelle: I still got game. I still got game.
 
 
Audience: You don’t need no amplifier -
 
 
Michelle: Shall we lose the mic?
 
 
Yoshi: Yeah…
 
 
Audience: Continue!
 
 
Michelle: Alright. I will (scattered applause, stage sounds) Let’s move closer When they take away the microphone, you wanna stay close….
 
 
(sound of audience leaving)
 
 
(singing)
Although I know my love for you is true
I seem to bring out the very worst in you
Perhaps you though my love could be bought
Perhaps you think we’re happy, but we’re not –
 
 
(under Yoshi announcement:)
I tried to talk it out
But you just take it out on me
 
 
Yoshi: Ladies and gentlemen, on behalf of Yoshi’s, we appreciate your patronage, and your servers will be with you shortly with your tabs. Thank you so much for joining us, and we do hope to see you again back here very soon. Thank you.
 
 
(Michelle, still singing)
Shout at me to shut up
Turn the volume up on the TV
And when the neighbors all began to complain
You yell at me, and tell me it’s my treachery’s to blame
I gave you my trust
 
 
Audience: Michelle, we love you -
 
 
(still singing)
But I’m taking back the same
For the things you are doing in our name
listen, y’all -
All I ever needed you to show me was your soul
But I see that all you ever really wanted was control
And now I know this wasn’t part of your plan
But I’m singing this – citizen to country – not woman to man
I’m sayin’ that we should see other people
We should see other people
Oh I believe with all my heart
That we should start to see other people
 
 
(glasses being collected, crowd noise)
 
 
All I ever needed you to show me was your soul
But I see that all you ever really wanted was control
And now I know this wasn’t part of your plan
But I’m singing this – citizen to country – not woman to man
I’m sayin’ that we should see other people
We should see other people
Oh I believe with all my heart
That we should start to see other people
 
 
I just want y’all to know that I didn’t ask for a deposit for this performance, and I have pretty good reason to believe that when I leave here tonight, I’m gonna be told that I did not give anyone their money’s worth. And so now I’d like to pass the hat, and ask if you wouldn’t mind putting a dollar in for the folksinger, for the busker, for the street performer. And if that’s too kind, maybe you’ll support my initiative – a songbook with sheet music in it. You can read the words, you can see for yourself, between the lines. All I’m trying to say is, God bless us, every one. Thank you for coming.
 
 
(applause)

View the episode here. Celebrating 25 yEARs of #ShortSharpShocked, with a lot of help along the way from my friends at Taylor Guitars. Janet Robin is this month's guitarista, you can check out her website at janetrobin.com. To keep up with all my coming and going be sure to leave your email address here. To support the effort by pre-ordering a copy of the limited-edition sheet music for I Will Be Loved, the song inspired by David Willardson's beautiful portrait of Marilyn Monroe, click here. Next month's episode of Guitar SHero features Memories of East Texas and Pickles Cohen, my new guitarista SHero pal, and on down the tracks for all the songs from the album...Stay tuned! 

Michelle Shocked News - 2013
Click here to see March Tubeletter
Click here to see February Valentine's Day promo
Click here to see February Tubeletter
Click here to see January Tubeletter

View the episode here. Celebrating 25 yEARs of #ShortSharpShocked, with a special presentation by Noteflight. It goes by pretty fast, you might blink and miss it, but if you pay special attention you will discover how to soon hear my as-yet-unrecorded Indelible Women project as well...and support the effort by pre-ordering a copy of the limited-edition sheet music for I Will Be Loved, the song inspired by David Willardson's beautiful portrait of Marilyn Monroe. Next month's episode of Guitar SHero features Hello Hopeville and on down the tracks for all the songs from the album...Stay tuned! 

Michelle Shocked News - 2012
Click here to see October Tubeletter
Click here to see September Tubeletter
Click here to see July Tubeletter
Click here to see May Tubeletter
Click here to see April Tubeletter
Click here to see March Tubeletter
Click here to see February Tubeletter

Please click here. If you experience any glitches or problems, please email michelle@michelleshocked.com. Thanks for your support! 

FOR IMMEDIATE RELEASE
February 7, 2013              
 
Michelle Shocked Launches Marilyn Monroe Sheet Music Campaign with Valentine’s Day Gift


“I Will be Loved” by Shocked inspired by Monroe Portrait Gives Fans Rare Treat for Romantic Holiday
 
LOS ANGELES — Singer-songwriter Michelle Shocked publishes an original new score, “I Will be Loved” – as sheet music— just in time for Valentine’s Day on Thursday, February 14^th.
 
The composition – inspired by a striking portrait of Marilyn Monroe created by painter David Willardson—from Shocked’s as-yet-unrecorded songs comes out as part of a 10-part series, titled Indelible Women, and is now available only through Shocked’s website.
 
The publication of the Marilyn-inspired score jumpstarts both Shocked’s work-in-progress Indelible Women and the 25-Year Anniversary tour of her studio debut album, Short Sharp Shocked.  [See itinerary below].
 
Fans know the acclaimed picker-poet, Michelle Shocked, best for her song “Anchorage” from the critically acclaimed album, Short Sharp Shocked, released in 1988. Fans know David Willardson best for illustrating a “new look” for Disney’s animated movie posters and for his version of Disney characters.
 
Fans know Marilyn Monroe best as an iconic blonde bombshell.  
 
For their collaboration, Shocked and Willardson created a mixed-media art project, Indelible Women, which includes 10 striking portraits and songs of perhaps the most iconic females from the previous century, including Marilyn Monroe, Audrey Hepburn, Ella Fitzgerald, Frida Kahlo, Virginia Woolf, Georgia O'Keefe,Billie Holiday, Amelia Earhart, Anne Frank, and Michelle Shocked, herself.  
 
“I always knew I would be beautiful if I were loved”, sings Shocked from the Marilyn-inspired song.
 
So far, the folk-rock-Americana pioneer, Michelle Shocked has only played these Indelible Women songs live during her Roadworks concerts in recent years and in brief segments of her Tubeletters (video newsletters). Few have heard these songs performed in their entirety, until now.
 
The travelling troubadour, Michelle Shocked intends to publish only 500 hand-numbered limited-edition copies of one score of sheet music per month, beginning with the composition for Marilyn’s portrait, “I Will be Loved” in February and ending with a complete songbook in December.
 
“Marilyn’s song is one of the most romantic in the Indelible Women series,” states Shocked, “so we’re publishing it for the most romantic holiday of the year.”
 
With Valentine’s Day fast approaching, Michelle Shocked will offer the “I Will Be Loved” sheet music for $5.00  along with a free Valentine’s Day gift to her fans – Marilyn’s lips, illustrated by Willardson for the sheet music project.
 
 “I am publishing this sheet music so that music lovers all around the world can share the joy of creativity,” states Michelle Shocked, “Especially if they can read sheet music.”
 
Shocked, herself, does not read sheet music but that has not stopped her from creating compelling compositions.
 
Those interested in learning more can watch Michelle Shocked’s short video. Those interested in getting a copy of the sheet music and free Valentine’s Day gift can email michelle@michelleshocked.com.
 
###

Pre-order score for Marilyn's song, "I Will Be Loved". A hand-numbered 500-copy limited-edition of sheet music, $5.00 per copy. Shipping will commence immediately upon completion of pre-sales for the entire edition. Order via email request michelle@michelleshocked.com or follow this link

'American Idle' (Roadworks v.1)
 
Roadworks 2010: 'American Idle' was an incredible experience. I've rallied my favorite “Idlists”; fellow songwriters doing a brilliant job of putting a face and giving voice to folks caught in the cogs of the ever-grinding engine of global capital. They graciously allowed me to post their songs on my website. An all-star American Idle cast including Johanna Divine, Ron Bankley, Jon Shain, Marc Haney, Dianne Karelovich, John Clark, John Lynch, Paul Kenny, Zach Peterson and Joe Renner. Their work speaks for itself, so please take the time to listen to:
 
1. Johanna Divine - The Big Grab - Visit Johanna's website
2. Ron Bankley - Break Even - Visit Ron's website
3. Jon Shain - Dyehouse Blues - Visit Jon's website
4. Marc Haney - Franklin Co. Kansas
5. Dianne Karelovich - There Goes the Neighborhood
6. John Clark - Hope in Hard Times Visit John's website
7. John Lynch - What About Mainstreet
8. Paul Kenny - Better Days - Visit Paul's website
9. Zach Peterson - S.N.A.F.U - Visit Zach's website
10. Joe Renner - Mobsters, Gangsters & Banksters

Michelle Shocked News - December 2011
click here to see Tubeletter

Michelle Shocked News - November 2011
Click here to see Tubeletter.

Michelle Shocked News - October 2011
Click here to see Tubeletter.

Michelle Shocked News - September 2011
Click here to see online.

Michelle Shocked News - May 2011
Click here to see online.

Michelle Shocked News - March 2011
Click here to see online.

Michelle Shocked News - February 2011
Click here to see online.

Michelle Shocked News - January 2011
Click here to see online.

Michelle Shocked News - December 2010
Click here to see online.

Michelle Shocked News - October 2010
Click here to see online.

Michelle Shocked News - September 2010
Click here to see online.

Michelle Shocked News - May 2010
Click here to see online.

Michelle Shocked News - April 2010
Click here to see online.

Michelle Shocked News - March 2010
Click here to see online.

Michelle Shocked News - February 2010
Click here to see online.

ROADWORKS TOUR v.1 American Idle. New tour dates announced for 2010.  More info.

A HUNDRED AND TWENTY BABIES limited edition songbook. Single sheet downloads available. Order here.

SOUL OF MY SOUL released 3-26-09. A new studio album and limited edition vinyl. More info and to order.